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262 LightJockey Help file - (C) Martin Professional 2010
LightJockey Help
Stats: DMX data packages sent and DMX data packages received through talk back (see below).
Note that the number of DMX data packages sent represents the number of packages sent to the
interface module and not necessarily the number of packages that has reached Capture (it will still
increase even if disconnected).
Talk back
The bi-directional communication means that Capture may be used to program LightJockey scenes -
DMX data from Capture is used to program the current scene. To enable talk back, check "Enable
Capture talkback" on the Capture Status panel.
Note: talk back may not work properly if the fixture is configured with different addresses in Capture
and LightJockey - especially:
Fixture has pan or tilt inverted or pan/tilt swapped and the DMX output is patched through the global
patch dialog (e.g. fixture with inverted pan has DMX address 1 in LightJockey and 100 in Capture)
Fixture DMX protocol implements 16 bit pan/tilt different from MSB/LSB pairs and output is re-
patched through the global patch dialog.
Nested patching through the global patch dialog (e.g. DMX channel 1 takes the output from channel
2 which takes the output from channel 3).
Talk back also requires 'receiving' fixtures in LightJockey - programming fixtures that are only
configured in Capture will not work properly.
- LightJockey II 1
- LightJockey Help 10
- Quick start and concepts 11
- DMX addresses and links 21
- Hardware setup 23
- Lightjockey Software License 24
- USB DMX Interfaces 24
- XLR cable connnections 25
- Audio CD control 27
- Audio CD-ROM trouble shooing 28
- External control devices 29
- Configuring the desktop 32
- Main view menu 40
- Tool- and status-bars 41
- Cue list tool bar 42
- Fixture tool bar 43
- Status bar 44
- Fixture icon popup 45
- DMX output monitor 46
- User libraries 49
- Copy from fixture 58
- Clear fixture data 59
- The RGB pack color control 74
- Fade state buttons 77
- Fixture control elements 78
- User palettes 80
- Intensity control 81
- Movement and position control 82
- Color control 92
- Gobo control 95
- Effect control 98
- Extended controls 101
- Lamp controls 102
- The smoke control 107
- Save sequence dialog 110
- Inserting scenes 113
- Deleting scenes 113
- Sequence blind mode 114
- List of cues 122
- Cue pages 125
- Cue time control 131
- Cue macro control 132
- The cue builder 135
- The generic DMX macro 138
- Generic macro parameters 146
- Generic macro delays 147
- The cue list control 155
- Save cue list dialog 161
- List of cue lists 161
- Cue list commands 162
- Winamp time code issues 172
- Using audio input 177
- Freeze output 183
- Offline / Online switch 183
- Follow spot function 183
- Fingers status panel 201
- Fingers multi select mode 208
- Virtual Fingers 209
- 2532 direct access 210
- The 2532 layout 210
- Emulating the 2532 215
- Using DMX in 216
- Using MIDI in 224
- MC-X remote control 229
- RS-232 remote control 230
- Color Scroller 1 239
- User definable palettes 244
- The fixture info tab 247
- The fixed color tab 254
- The CMY & RGB tab 254
- The beam tab 257
- The effects tab 258
- The special tab 258
- The levels tab 260
- The Offline Visualizer tab 261
- LJ Manager 270
- Using the 2510 for playback 277
- 2510 memory test 278
- Binary 2510 files 279
- Release notes 282
- Version 2.8 283
- Version 2.7 283
- Version 2.5 290
- Version 2.3 293
- Version 2.2 294
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